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If you’re real nice to Glenn Plake, he’ll
tell you a little story about his pre-punk past. The part-time
whack job, full-time extreme sports enthusiast wasn’t
always the tallest Mohawk on the Mountain. In fact, there
was a time when Plake walked the streets with wavy blond
hair and, get this, three Izod shirts—all with the
collars turned up. You laugh, but don’t forget there
are kids wearing socks on their arms these days.
In truth, Plake’s leap from Izods and Swatch
watches to vinyl pants and a 12-inch ‘hawk isn’t
all that shocking. He hadn’t so much crossed a
line as he had extended his attitude to its outermost
boundaries. In short, Plake’s transformation speaks
to the strange, symbiotic relationship between punk
and new wave.
Those who came of age in the late ‘70s/early
‘80s witnessed the evolution first hand. They
watched The Specials become The Fun Boy Three and The
Beat become General Public; they saw Joy Division morph
into New Order and The Sex Pistols evolve into Public
Image Ltd. And somewhere in the middle of it all, where
Sid Vicious met Max Headroom, punk and new wave became
fitting cousins, if not happy siblings. It’s not
a hard concept to grasp really. After all, Devo and
The Ramones really aren’t that far apart.
Although not an original product of punk’s seminal
days, The Briefs are perhaps the living, breathing modern
monolith of the era. Think Pretty In Pink with dysentery
or Jello Biafra as an OP model—old enough to remember
the angst of the ‘70s, young enough to embrace
the quirkiness of the ‘80s.
Thank god for The Briefs.
It only takes one listen of its new release, Sex
Objects (to be released June 29), to fully appreciate
this blend of hate and humor. By track #2—"Halfsize
Girl"—you’ll be nodding you head in
understanding, praising the fact that what you’re
hearing is not another teenage lullaby set to bouncy
guitars played by bouncier bandmates donning the latest
Hot Topic couture.
You’ll also appreciate The Briefs’ ability
to pull off its retro new wave punk vibe without being
nauseatingly cliché or void of any originality.
Guitarist/vocalist Steve E. Nix spoke
to Kaffeine Buzz from the road to discuss the evolution
of the band, their role in today’s music scene
and the fruits of their labor.
Kaffeine Buzz: Today’s market is pretty
much a glut of crappy bands, so it’s nice to see
something refreshing like The Briefs come along.
Steve E. Nix: Well, we love punk rock. We love old
punk rock and everything about it you know? And that’s
where our influences lie for sure, but at the same time
we’re trying to do something innovative. We don’t
want to sound just like some band from 1978 out of Australia.
I think we’re kind of a melting pot of our influences
and we try to make it our own thing. It’s a contrast
to a lot of the music that’s going on right now.
It’s like, “How many different versions
of NOFX can you stomach?” And that’s not
to diss them at all, but there are so many bands that
are just cookie-cutter versions of that. Not much creativity
or soul.
KB: Now, you guys are a little older, so the
‘70s scene was more a part of your generation
than it was for today’s young bands. Would you
attribute today’s rash of generic bands to their
lack of familiarity with punk’s roots?
SEN: I don’t know man. That’s just the
way the world works. I think everything gets homogenized.
If I was 15, maybe I’d be playing the same shit
as all these other kids, because I’d be doing
it because I’d want to be popular and get laid.
I just know what I like and what I don’t like,
you know? We don’t go around slamming other bands
or saying things like “You guys suck. You aren’t
really punk.” We grew up listening to The Adolescents
and TSOL. Mostly, the Southern California stuff was
popular because we lived on the West Coast in Seattle.
And then we just naturally got into the old English
stuff and New York stuff.
KB: Do you see The Briefs as having the ability
to help the music industry transcend the status quo?
SEN: Our main concern is we want to make our mark,
just like any other band. On this tour, we’ve
run into a lot of kids starting new bands who have told
us that we inspire them. Not to toot our own horn or
anything, but to me that’s pretty fulfilling.
That means you’re making a difference and doing
something worthwhile.
KB: You guys have been busy to say the least.
You’ve released several 7-inches, a few full-length
albums, tracks on a skate video, and you even have your
own skateboard. What more could you want?
SEN: I don’t know man. That’s about as
good as it gets to me [laughs]. We grew up with skateboarding
and punk rock. Now all of a sudden we’re on skate
vids with the coolest punk rock skate company out there,
and have our own deck by a company that makes handmade
skateboards. And we get kids coming up to us at shows
with really bad hair cuts and ugly-ass sunglasses with
beat-up ties telling us they’re starting their
own band. So it’s like, “Yeah, what else
could you ask for?”
Quite simply, the world could ask for more bands like
The Briefs. Check them out live when they come to town
for two dates. The band will play the BlueBird Theater
on June 28 with The GEDS and The Symptoms, and The Aggie
Theater in Ft. Collins on June 29 with Lars Frederiksen
& The Bastards and The Horror Pops.
www.thebriefs.com
www.byorecords.com
-Dave Haucke, June 24, 2004
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