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Denver will finally be getting a chance to flex its musical
muscles at this year’s South By Southwest
Music Conference in Austin, Texas. SXSW, a tradition
for the past 18 years, fills Austin’s 50 hottest
venues with the best up-and-coming acts of the year, going
24 hours a day for four days straight from March
14th through the 20th. Pop performers, rock bands,
hip-hop groups, indie outfits and every other genre in
between will take on the city and thousands of its visitors,
selling their sonic wares to fans and suits alike.
While Denver bands have sporadically participated in
SXSW in the past, this year is proving to be a much
different experience for all those involved.
In the past two years, two Denver-based labels have
risen to the forefront of this town’s indie scene
and helped to light it on fire for the rest of the country
to see. Denver is notorious for a lack of unity within
its music community; this is made even more obvious
by the fact that a dust bowl like Omaha has the pulse
on what’s hot and Denver can’t even manage
to compete. Denver is the biggest city in four states,
and has thus far failed to make a musical scene. However,
thanks to two labels and a few local venues, this is
all set to change, and SXSW 2005 may just be the jumping
off point.
Started almost two years ago by Tim Garvey
and Ben DeSoto, Public Service
Records has proven to be the label rooted in
the idea of musical unity. A long time Denver DJ and
friendly face at Twist and Shout Records, Tim Garvey
has seen the local rock scene bubble up with amazing
acts, only to see it fizzle from underexposure. This
is where his label has decided to come in.
“When we set out to start a record label, we
thought that there were a lot of good bands in town,
[but they] were unfortunately just lost as far as the
rest of the world was concerned. So, we thought it would
be great if someone would step up, and do something
about trying to get some music out there to the masses.”
And this is exactly what Public Service Records did.
In 2003, the label released PS1, a compilation of some
of Denver’s best local bands. At only five dollars
a piece, the first PS compilation gave Denver bands
like Landlord Land and Bear
Vs. Larger Bear a chance to get farther than
the Rockies, hitting listeners even as far as London.
Additionally, the low-priced LP was an opportunity to
for these bands to have something to sell to potential
fans, especially if they had no other music released.
In 2004, the Public Service brought
even more Denver artists to the forefront on its second
and equally well-received compilation, PS2, throwing
bands like The Swayback and Hot
IQs into the mix. While both of these bands
have recently released full-length projects, Public
Service’s involvement in their success locally
has been substantial to say the least. This year’s
SXSW is the perfect place for these Denver bands and
labels to take all of this success to the next level.
“SXSW is good opportunity to expose The Swayback
to the music world,” says Eric Halborg,
one-third of ultra-hot Denver trio The Swayback. “Not
many people know of us outside of Colorado, and it's
time they had a look-see and a listen. We want to get
the new sounds into people's ear holes.”
The Swayback, an act that has virtually ruled the Denver
scene for over two years now and opened for the likes
of the Yeah Yeah Yeahs and International Noise Conspiracy,
is almost there, but is somehow still hanging in the
balance. They are any label’s wet dream: they
have a killer sound, the perfect look, and tons of attitude
yet they remain unsigned. SXSW may just be the final
push they need. In preparation for this appearance they’ve
been burning candles out of every orifice, recording
a new 8-song demo, getting new merch produced, practicing
for not only the Austin showcase, but a tour that continues
through to the east coast.
This new Swayback demo (dropped off late Wednesday
night, fresh off the presses) rips open the next chapter
for the band, taking a hypnotic journey through rock
‘n’ roll heaven, heavily laden with psychotropic
symphonies enough to cause Hendrix to rise from the
dead, and on “Forewarned,” breakbeat meets
electro whipped cream is made possible by reeling in
one of milehighhouse’s producers, DJ Ilk.
Denver’s two local venues known for supporting
local music while pulling in the hippest of the underground,
Hi-Dive and Larimer Lounge, will host send off parties
this weekend and into next week.
Hi-Dive, the buzzing Denver bar that blew up the scene
in November of 2003, is doing something virtually unheard
of in this town to help the bands out. At this weekend’s
Hi-Dive SXSW Tour Send Off, all of
the money made at the door on both Friday and
Saturday night goes to the bands to help them
get to Austin. At $8 a head, this weekend’s events
at the Hi-Dive could be just what these bands will need
to survive and hopefully make an imprint.
On Friday the line-up is Atlas, Matson
Jones, and The Swayback, who
will have all their sparkling new shirts and demos.
Saturday it’s VAUX, Hot IQ’s,
The Symptoms and Porlolo.
Larimer Lounge will follow with their
two send off parties, the first being on Sunday,
March 13 where their infamous daytime BBQ will
feature Munly and the Lee Lewis Harlots,
Black Lamb, and Nightingale
at 1pm. Then on Tuesday, March 15 Call Sign
Cobra, Rabbit Fight, and The
Black Haloes will pull up the second SXSW session.
Once in Austin and at the festival, Matson Jones, DevotchKa,
The Swayback, Born in the Flood, Hot IQs, Porlolo, Atlas,
Vaux and Munly and the Lee Lewis Harlots will be playing
a Denver showcase called Mile High Fidelity.
This Denver-specific showcase will hopefully prove to
be a genius maneuver and open many eyes to the Mile
High area’s growing capability to produce noteworthy
bands. Mile High Fidelity will be sponsored by The Public
Service label, the Hi-Dive and another up and coming
Denver-based label, Morning After Records.
Morning After Records, another blooming Denver label
on the scene, has already made its mark by signing the
Hot IQs and pop gems Filmstrip Series
(known for many years as Tinker’s Punishment.)The
Hot IQs will be heading out on tour after SXSW in support
of better way to start things out than with some national
exposure? Having ridden the national CMJ charts, scored
#1 Album of the Year by Boulder’s Daily Camera
and Westword’s Favorite Album of the Year, this
follow up tour and appearance in Austin is the logical
next step for the Hot IQs. Dan Rutherford,
the label’s owner, also feels that Denver as a
whole and its relationship to SXSW may change with 2005.
“We're nearly wetting ourselves in anticipation
for this year's SXSW. Being a start-up label (less than
six months old), we are absolutely flabbergasted at
being invited to participate in this year’s event.
Last year I presented a SXSW day showcase and tried
countless times to get Denver acts to participate...sadly,
nobody was able to be a part of the event. This year,
Matt (LeBarge, co-owner of Hi-Dive), Ben (DeSoto, co-founder
of Public Service Records), Tim (Garvey, co-founder
of Public Service Records) and myself spent several
months planning out how to present a party that was
beneficial to all parties involved.”
Kaffeine Buzz is also presenting the showcase for Outlook
Music Co., another Denver local label owned
and operated by Trevor Pryce (yes,
the same DT for the Broncos) for the past few years.
On Saturday, March 19 at the Chuggin’
Monkey (206 6th Street) they’ll feature
three of their label stars 33hz, Daphne
Loves Derby, and Roman Candle.
33hz is gearing up to release their label debut in April,
and will definitely please crowds who have Scissor Sisters
and Franz Ferdinand in their iPod.
Hopefully, the bands that will represent Denver for
this year’s SXSW will channel Rutherford’s
optimism. Denver may get it right this time since labels
and venues are supporting their bands, and the bands
representing Denver in such a pivotal festival couldn’t
be more diverse. Optimistically, the outcome will be
successful and turn Denver into the music Mecca it has
longed to be. Through great talent, endless backing
and support, and newly born unity, Denver is ripe for
the picking and more than ready to show the music world
that it is truly the bigger than it’s cow-town-ski-bum
reputation.
www.hi-dive.com
www.morningafterrecords.com
www.outlookmusic.com
www.larimerlounge.com
www.theswayback.com
www.hotiqs.com
www.vauxrock.com
www.symptomsrock.com
www.blackhalos.net/
www.denveratsxsw.com
www.sxsw.com
Bree Kutz, Contribution by Kim Owens, March 11, 2005
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