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I met with Eugene Brown and Peter
Antypas from [die] Pilot for
what was supposed to be an interview, but actually turned
out to be a rambling conversation (totally my fault) that
did cover pertinent facts about the band, but also covered
a discussion on what is actually considered the “South.”
They were also very gracious about me kicking over a beer
on their floor.
[die] Pilot is a band in flux, which seems to be its
natural state. Meeting up with Peter and Eugene, the
core entity of this revolving member group, I was able
gather the artist’s histories.
Eugene moved here from Kentucky, needing a change in
scenery after a friend died in a car accident. Growing
up in his home state, he began listening to a lot of
contemporary country, but had a revelation upon hearing
Uncle Tupelo, who is known for blending both country
and punk. Without anything better to do he began making
music of his own. Starting a band with his friend Justin
Wright, they went on a recording binge for about six
months, putting together an all acoustic, folk EP in
Justin’s basement. When Eugene decided to exit
Kentucky, he resolved to send for Justin once he got
settled.
Meanwhile, Peter had actually “given up on music…quit
forever.” He had been a multi-instrumentalist
solo act for a while and describes himself as “responsible
for several crimes against music,” refraining
from elaborating any further than that subject. It was
Eugene’s ad in Craig’s List that caught
his attention and led him to checking out Eugene’s
music online. Upon hearing it, he knew the two needed
to collaborate.
Well, many others had the same plan in mind, so much
so that Eugene had stopped returning phone calls. Not
being a man to give up quite so easily, Peter took the
next step: he downloaded Eugene’s songs and made
remixes from them. This was the clincher move that got
Eugene’s full attention. After hearing those tracks,
Eugene moved things forward to making Peter his musical
partner.
Shortly after meeting the two played a show at the
15th Street Tavern, bringing Justin out from Kentucky
to join in. Homesickness and severe stage fright eventually
caused Justin to pull out and return home.
As previously discussed, Eugene is a fan of country
and folk. Peter on the other hand is a product of British
new wave, which he listened to while growing up in Greece.
Add to the mix a bit of Middle Eastern influence to
the table and what you’ll hear on the new album,
Radiation, Weather, Art” is a blatant stake in
all that is eclectic
It was Eugene’s goal to create a unique personality
for each track. “I want one song to sound like
we were listening to The Cure one day; I want another
song to sound like we were listening to Patsy Kline,
and another to sound like something else.”
It is safe to say that he’s accomplished this
goal with flying colors. During of my listening sessions,
I actually had to check the player to make sure I was
still listening to the same CD. Throughout “Radiation,
Weather, Art,” you can hear those glimmering country/folk
influences that Eugene was raised on in rural Kentucky.
On the acoustic numbers, Peter’s work on the keyboards
has add an electronic dimension, a potential nod to
the governors across the pond.
Most of the songs on “Radiation, Weather, Art”
are the product of three years, containing original
songs from that very first EP recorded in Justin’s
basement. The one track co-written by the pair is “Parade,”
and now that all the past music has been laid into their
history books, all new songs will come from a collaborative
place.
It is going to be hard to describe the band’s
current sound because I don’t know what it is
yet. I don’t think they even know what it is yet.
As I have said this band is in constant flux. Their
press kit begins with this quote, which sounds very
much like a mission-statement: “It has been said
that evolution causes one to adapt to their environment,
but what if that environment constantly changed, shifted
and was full of opportunity?”
They have appeared to take this philosophy to heart.
That two-piece that first graced the small stage at
The 15th Street Tavern has now swelled into a five-piece,
including Matt Chaluspky on the bass
and Sam Beck, who has taken over keyboard
duties. Peter is playing guitar and adding backup vocals
while handling the production aspect; and Eugene keeps
his position as guitarist and vocalist. The newest member,
Paul Jansen, joined a couple of weeks
ago, bringing him a new ingredient of electric violin
to the party.
You can hear the full version of “Radiation,
Weather, Art” on the band’s website, www.diepilotmusic.com.
And opposed to the never ending MP3 wars, the guys actually
encourage you to download it absolutely free of charge
to get the word out. They figure that most bands don’t
make any money on their first album, so why not just
give it away? I encourage you to listen to the entire
album, because one song does not reflect what the others
will sound like.
The changes for [die] Pilot are expected to continue,
and in the meantime, are looking for a new practice
space and encourage anyone interested to contact them.
The band plays this Saturday, May 21 at the
Walnut Room with Angie Stevens and Conscious Elliot,
and again a week later on June 2 at Soiled Dove.
Like the weather in the Midwest, [die] Pilot will keep
you on your toes with those changing currents, and these
upcoming shows will likely be a vibrant experience as
their new members flourish.
http://www.myspace.com/diepilot
http://diepilotmusic.com/
-Ian Nelson, May 20, 2005
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