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“I look at music,” said Rhymesayers resident
Muslim MC, Brother Ali. “Not just
hip-hop, but music. I’m not competing with any of
my contemporaries when I make music…I’m looking
at Stevie Wonder as the standard; Otis Redding, that’s
[the level] I’m aiming for.”
Ali, a resident of Minneapolis, MN is the new breed
of rapper, one that’s not bound by the constraints
of pop radio and record contracts. As a member of the
Rhymesayers camp, he is more concerned with creating
a quality sound. “The level of talent and quality
of people that is around this label is amazing,”
he says of his comrades. “It keeps us creating
on a different and original level.” He adds, “There’s
a crowd out there whose ears are open. They’re
supportive and believe in what we are presenting. We
have people who don’t listen to hip-hop who listen
to us. People are tired of the radio telling them what
to listen to.”
When he was growing up, Ali did what many inner city
youths did; he caught the rap bug. “I always wanted
to rhyme,” he remembers. He would buy all the
records that were relevant at the time and listen to
them over and over again. Eventually, he started amassing
equipment and producing his own beats and rhymes. Listening
to great producers like Premier and Prince Paul, he
became influenced by the records they sampled, buying
old school soul and funk, while also listening to blues.
This led to his appreciation of the craft of music making.
He laments, “[Rap] music was at a higher quality
until about the mid-90’s, and I wanted to be a
part of that. But when Tupac and Biggie were slain,
and Mase became the new icon, it started to suck. It
was more about being famous than about making good music.
So I stopped buying records. I got frustrated and said
‘forget about it.’”
It wasn’t until a friend gave him a tape of Gangstarr’s
Moment of Truth album, and then discovered
Beyond and Atmosphere that, “I woke up. I got
excited again.” This led to Ali hanging out at
the venues and parties where the shows took place. He
would eventually befriend Slug and Ant and other members
of the Rhymesayers collective before becoming a member
himself.
This led to the release of Brother Ali’s spectacular
debut album Shadows On The Sun.
Full of stories, freestyles and battle rhymes, the album
was ten years of his heart and soul. Behind the strength
of this debut, Ali toured. He saw the ups and downs
of the road, but was grounded by his faith and kept
plugging. Brother Ali also strives to create success
because he wants to provide for his young son, of whom
he has sole custody. “Being a parent is my main
job,” he offers. “I wouldn’t have
it any other way.”
The relationship that created this fondness for fatherhood
also created lots of friction for his mental state and
his music pursuits, because like Eminem, Ali got married
young. However, he says, he has since entered into a
more nurturing, supportive relationship, that has allowed
him to grow, learn and create once more. And, after
the critically acclaimed Shadows and its follow-up,
The Champion EP, both released in ’04, the time
has come for a new Brother Ali project.
The new album, due out in spring of ’06, is said
to be, “The most raw, honest, and personal record
I could make. There’s no camera tricks involved
here, no collabo’s, just what I think is good
music.” From a guy who has always produced quality,
it is a welcomed return. To his fans and audiences he
says thanks for listening. Thanks for the support.
This Friday their second night in Colorado takes place
at Cervantes with Cage, Ill Bill and Eyedea (& his
band), after playing The Fox Theater on Thursday. Both
are All Ages shows.
www.rhymesayers.com
www.myspace.com/brotherali
D Tha Man, October 26, 2005
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