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Do you ever have one of those, VH1 "Where are
they now?" moments, when you're going through your
CD collection and bum out that a band that at one time,
'rocked your lame ass' has fallen into the musician's
grave? That moment fizzled through my little brain a
while back with Hagfish, the suave and dee-boner guys
from TX that brought a fresh punk rock swagger to the
scene, becoming college radio favorites with tunes like
"Stamp," "Disappointed", and "100%
Woman."
I don't know if the stars were aligned in my favor,
but soon after, the Stockage music festival in Ft. Collins
pop up with Armstrong listed on the roster, the new
band formed by two of the original Hagfish members,
Doni and Zach Blair. It was very Twilight Zone. This
gave me a chance to sit down with Zach and get the scoop
on the new band, whose name comes from a type of clear
green guitar called the Van Armstrong once owned by
Greg Ginn from Black Flag, "because it was cheap
and known as a pawn shop guitar."
Doni and Zach had been writing some songs due in part
to the pressure they were receiving from previous friends
and fans, and to their own desire to feed their creative
music engine, "I was getting asked about Hagfish
so much, that [Armstrong] just came out of necessity,"
says Zach. After putting a few demos together at a friend's
studio in Dallas, they sent those tracks to Bill Stevenson
who had produced and engineered some of their previous
releases out of Bill's Blasting Room recording studio,
where Hagfish had recorded their first release on Polygram/London,
"
Rocks Your Lame Ass" (in addition to
other punk stars Good Riddance, MxPx, and Lagwagon).
After Bill took a listen, "He came back to us and
said, 'This could be a great record, but you need to
get up here
like now,' but we weren't even a band
yet," Zach says, explaining that Bill not only
dug the new stuff in a big way, but wanted to put it
out on his Owned and Operated (O&O Records) record
label out of Ft. Collins.
Zach and Donivan scrambled to get the remaining songs
completed and polished by the end of 2001 in order to
get on the O&O recording schedule. But there were
some challenges ahead, like getting an interim drummer
to record the album and play some initial gigs. Since
George Reagan, the original lead singer for Hagfish,
wasn't a part of the equation anymore, that left Zach
to fill those shoes, "I had never really sung before,
so that was an ordeal."
He pulled it off both on the full-length debut recording,
"Dick, the Lionhearted," (due out in July),
and on Armstrong's first live performance at Stockage
under their new moniker. There were hints of the Hagfish
sound, including that guitar style that resemble a racecar
going around the track, along with the poppish edge
and hooking choruses. But Armstrong now embodied a new
found aggression in both the guitar licks and lyrics.
Plus, Zach fit into the lead vocalist skin quite well,
especially on the more melodic track, "Follow Me."
Hagfish had originally started with just Zach and Doni
when they were still in their teens, bringing in George
to lead the vocals and Tony on drums. Things happened
quite quickly after that, landing a record deal with
Polygram/London and their first big tour with Badbrains,
before "
Rocks Your Lame Ass" even had
a chance to reach the shelves. But just as quickly as
things took off, they also took a turn for the worse.
I had first met the guys during their rise in popularity
in 1995 on their tour through the Bay Area. Meeting
them at the merch table, my friend and I got invited
to hang in their panty party van (and no, not in a groupie,
'let's get physical' kind of way), which was strewn
with undie souvenirs from their many gigs across the
Americas (again, not ours). That was when George was
proudly discussing his prospects of fatherhood.
"We had put the fate of the band with George,
our lead singer. But when the shit went down and we
were really getting a lot of tours, and the money was
flying, he decided to start having kids," Zach
says with some inklings of irritation that still exist
today.
This made their touring schedule more difficult, but
they had a number of commitments they needed to keep
the success of their first CD rolling, so stopping in
mid-success stream was not an option. They continued
to push forward and kicked out a second set of songs
for the next album. Unfortunately, their major label
decided against its release, and dropped them.
So the Hagfish boys went onto, "Honest Don's,
which is Fat Wreck Chords. And we were doing better
on that anyway. We had toured so much on the major label
that we had our own guarantee, our own following, and
were totally self-sufficient. But then he had another
kid. And that was it. It just dried up," Zach says,
explaining the demise of the group.
Zach sees Armstrong as almost a vendetta to continue
on their musical path in spite of George's decision
to throw the band off course by choosing fatherhood
versus a future in music. Despite this, they are on
pretty good terms. Four of the songs off "Dick,
the Lionhearted," were originally co-written by
both Zach and George for the next Hagfish record, which
never happened, including the track "Chicago."
Plus, Zach has always admired George's writing talent,
"George was prolific as shit. He would write ten
songs to my one at that time. But we collaborated quite
a bit." Since then, Zach has taken those songs,
rearranged them a bit and added his own lyrics. After
hearing some of the tracks, George was very proud of
what Zach and Doni had created in his absence. "But
now he's dad/computer guy, with a 9-to-5 and everything,"
Zach explains in a very weary tone of voice.
Tony, their drummer, went on to maitra'd in an Italian
restaurant and started his own furniture design company,
"He was so talented, but he's not playing much
anymore. His [furniture] is really cool though. It's
almost the kitsch thing to do - have furniture designed
and built by him." Although Zach respects what
his former band mates have decided to do with their
lives, "I never gave myself something to fall back
on, because this is all I want to do. I quit high school
for Hagfish."
Now at 28, he's learned as much as many other musicians
who've been in the biz for a number of years, including
the experience of going through the label mill and band
break-up blues, but the band's back to start anew. The
album title "Dick, The Lionhearted," reflects
their previous Hagfish crown icon and a self-titled
description of Zach's persona in his lost love experiences
over the years, with a dash of cynicism that wasn't
as apparent in their earlier songs.
On "So Much For Everything," Zach belts out
"Will you be my world? Will you save me twice?
Can I split my loss? Instead of being nice?" with
a contrasting sound that is filled with fluid melodies
and jazzy guitar riffs, making one want to swoon with
a scotch in hand instead of weeping into a Bud Light
(although being forced to drink Bud Light is enough
to make me cry). "Shamus" blasts out of the
gate with groin pounding drums and tightly wound guitar
rhythms, while "Chicago" retains the signature
Hagfish chorus hook, but with a message of self-loathing
and regret versus a girl's desire to take a break from
her email long enough to be pleasured by her water cooler
boy.
"Average" could stand as the anthem of their
power of persistence to move forward in their own way,
sans their previous obstacles, "I'll hold out for
simplicity; And the law of averages is none; Cash can't
buy the knowledge; And knowledge wears the crown: Mental
ammunition
to mow you fuckers down."
Although Armstrong are out to make a name for themselves
with their new band and music, it's not to say they
won't take advantage of the Hagfish name to make that
happen, "I'm going to ride those coat tails 'cause
it's my coat tails," Zach comments with a grin.
In support of the "Dick, The Lionhearted,"
which will be released on O&O on July 7th, Armstrong
is hitting the road this summer with ALL, Wretch Like
Me, and Someday I as part of the Muscle Memory tour.
Check out the recent tour schedule on www.hagfish-armstrong.com
and download their single, "Sink or Swim,"
in MP3.
-Kim Owens, kim@kaffeinebuzz.com
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