It’s deeply captivating to follow an artist through the chapters of their musical journeys, taking turns and paths into new territories, hearing and seeing them mature, stretch, and build their songwriting muscles. Peeking into the keyhole of Wild Nothing’s new album, Life of Pause (Captured Tracks), and then joining Jack Tatum in his grown up listening lounge is not only a joy, it’s an entry into his world.
When Shain Shapiro, the managing director of Sound Diplomacy, took the TEDxBerkleeValencia stage in Spain last year, he began with a simple yet huge question, “So what if music – all of it -- disappeared? It didn’t exist,” he then paused, “Think about it.”
Part 1 of The Connected Music Series, “Music Sponsorships: The Golden Ticket for Brands That Get It,” covered the benefits, data, and examples of sponsored live events done well by brands, as discussed in the SXSW Music session, "Does Social Media Make Concerts Better?"
The session featured findings from the report, “We Know Music Fans,” by AEG and Momentum, plus insights from panelists Hugh McIntyre, Music Writer, Forbes; Glenn Minerley, VP Group Director, Music & Entertainment, Momentum Worldwide; Scott Carlis, VP Digital Social Media & Marketing, AEG Global Partnerships; Craig Goodfriend, Industry Manager, Facebook; and Jean-Philip Grobler, St. Lucia.
"This is the worst complaints have been for 15 years, as a rate,” Dean Headley, a researcher at Wichita State University's business school, said to CNN earlier this week in regards to the 26th annual national Airline Quality Rating report he co-authored. For those of us that travel on a regular basis, we don’t need a report to tell us what we already know first hand: for the most part and most often, flying sucks.
You know it's going to be a good day when upon waking and grabbing your mobile (a habit I can't seem to break, thankfully), a new music video from David Bowie is waiting for your sleepy eyes to gaze upon. Yes, another song in visual form has emerged from the Blackstar album, "I Can't Give Everything Away," with the creative component delivered by Jonathan Barnbrook, who was also responsible for the album's artwork.
Photo: Business Wire, Samsung
This is Part 1 in this Connected Music Series, which features conversations, conference sessions, use cases, reports and data showcasing the digital and technological impact and influence on live music events.
The traditional advertising model in all its forms seems well on its way to Disarray Town. Networks are trying to cram full-length television ads into streaming content viewing models with square-peg-round-hole finesse. Publishers are trying to force-feed their bread and butter ad placements by restricting access until readers turn off their Adblocker (and of course, someone figured out a workaround). Meanwhile, those that haven’t cut the cable television cord (yet) use their DVRs to gleefully fast forward through commercials.
Earlier this week North Carolina’s legislature and Gov. Pat McCrory took society backwards in time when they passed House Bill 2, the Public Facilities Privacy & Security Act, that flushed anti-discrimination protections for all lesbians, gays and bisexuals down the toilette while also barring transgender people from using bathrooms that do not match the gender on their birth certificate.
2016 is flying by, and as we speed along towards the end of March, it’s time to prep ourselves for summer festivals. The Underground Music Showcase (UMS) kicked fest prep into gear with the announcement of pre-sale tickets for the Denver street festival, which takes place July 28th through July 31st.
In our previous piece on FEWS in anticipation of SXSW 2016, I (and I’m sure many others) expected that we would hear about the band’s debut album fairly soon. And so it is, Means will be released on May 20 on Play It Again Sam. This week FEWS also let go of a new single “100 Goosebumps.”
When you think of SXSW, sessions and keynotes featuring heads of state and Hollywood stars, thousands of band gigs and hundreds of films come to mind. So do lots and lots of parties, all serving up a bevy of beverages. What better time and place for a cocktail app to launch, even in the midst of a noisy, massive conference? "Giving away a free drink, everybody's interested," said Hooch CEO, Lin Dai, "Nobody ever walked away from that conversation."